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Vivaldi comes to the big screen this Christmas, directed by Damiano Michieletto

Set in the heart of Venice during the early 1700s, the movie 'Primavera' revisits the world of the Ospedale della Pietà, the city’s largest orphanage and one of Europe’s most celebrated musical institutions. Here, gifted young women were trained to the highest artistic level, performing behind grates for aristocratic patrons. It is within these walls that director Damiano Michieletto places his story.

The film follows Cecilia, a brilliant twenty-year-old violinist whose talent is confined within the strict rules of the Pietà. Her life changes with the arrival of the new violin master, Antonio Vivaldi, played by Michele Riondino. Their relationship, complex, protective, inspiring, and at times troubling, forces Cecilia to confront a central question: submit to a world governed by control and patriarchy, or claim her own freedom as an artist and as a woman.

Director Damiano Michieletto, internationally renowned for his opera productions at La Scala, the Royal Opera House, the Opéra National de Paris, and the Berlin Staatsoper, brings to the cinema a vivid, contemporary sensibility while preserving the emotional depth of the Baroque world. The film is a major Italian-French co-production led by Indigo Film and Warner Bros, with a budget nearing eight million euros.

The cast is led by Tecla Insolia, one of Italy’s most celebrated young performers, and Michele Riondino. They are joined by Valentina Bellè, Andrea Pennacchi, Fabrizia Sacchi and Stefano Accorsi. Cinematographer Daria D’Antonio creates an atmospheric Venice lit almost entirely by candlelight; production designer Gaspare De Pascali and costume designer Maria Rita Barbera recreate the austere and enclosed life of the Pietà with remarkable precision.

After its world premiere at the Toronto International Film Festival and the Audience Award at the Chicago International Film Festival, Primavera is now poised for a wide international trajectory. Its universal themes, artistic awakening, emancipation, and the cost of personal freedom, extend far beyond its historical setting. As Michieletto emphasizes, the film is not a biopic of Vivaldi, but the story of a young woman whose voice emerges powerfully through music.

A special Italian preview will take place in Venice on 13 and 14 December before its national release on 25 December. International releases will follow according to local distribution schedules.

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